There are no major movies based on it or anything of that kind. Tolstoy is no Dumas and Dostoevsky is no Hugo
Ok, so it's not Hollywood, but
in major mini-series form.... Possibly even Cultural Appropriation, for those that truly find the original
Klingon Russian version most inspiring.
(Perhaps geofenced from playing even the clips, but should show how 'big' budget drama has been done. Parallel form to the likes of the His Dark Materials adaptation, for example.)
I have to say that I know W&P as more a general designation of a "very long book" (the other day my own writing on a matter was described as such... can you imagine that?!?) and I'm not actually as familiar with it so much myself, and probably did not watch the above for the same reason I did not watch
various English classics from the same stable. And I never had a hankering to see Les Mis (theatre/film), though I have heard a (non-musical) lengthy radio adaptation so I think I have a handle on the plot.
Yes, it's probably a "pseud's thing", but then I'd claim to have devoured all of the LOTR books (or, indeed, the
Mission: Earth dekalogy, which I thought were a good read, given certain unorthodox parameters, but I'm fairly certain I'm not influenced by the author's 'culture'[1]).
I mean, one stumbling block is the lack of translator-microbes. Anything non-English is closed off to me until someone with sufficient cross-lingo ability is either bank-rolled to try to create a translation version or else does one off their own back from personal dedication whilst personal wealth supporte them/scraping an existence via a 'second' job. Or at least create something from which a potentially mood-unfaithful adaptation can be hung from once the hard work is done.
Would I know that much about
Le Tour du Monde en Quatre-Vingts Jours or
Vingt Mille Lieues Sous Les Mers without the 'classic' English version? (Helped too by Hollywood features being made, sure, but
Le Rayon Vert escaped that fate, to my knowledge, and yet...)
When young I probably knew more people who were excited by Soviet-era 'cultural' things (perhaps not entirely stuck to Russia itself, but clearly by implication) than things of Imperial Russia era, but that was probably a knock-on from their lands of origin wishing more to promote New Wave SF/frankly disturbing children's animations from "beyond the Iron Curtain" countries more than even the thoughtfully critical kind of pre-Soviet aristos-and-serfs tale. Probably more likely to depict the travailles of a tractor than the ponderings of a princeling. (Well,
mostly, but that was the GDR anyway... But it also inspired
an 'adaptation'!)
Probably the social impact of true Russian soviet-era culture never reached that far beyond the borders, for many different reasons[2], and I couldn't tell you what a person of my age would have appreciated in Moscow (probably seeing less of the Moscow State Circus/Ballet than I could, given their seemingly perpetual international touring schedule..!). Or perhaps it was all too much Vovochka humour, 'of an era' stuff that doesn't mature with age/dates badly (c.f. "On The Buses"/"Love Thy Neighbour", here in Britain) and so is easily forgotten as 'a thing'.
I'm sure there's lost gems, and right now we're probably all for non-Soviet or despite-Soviet culture as much as anything, but only the first is now open-domain 'classic' material and it's not really the time for those who know to uncover something like
Smert' Postoronnego ("Death and the Penguin", which was an interesting Kiev-based story that was radio-dramatised in the early days of the current conflict, almost certainly driven by our national sympathies) only from deeper in historic/current Russia. It sounds like the Kafkaesque mentality was not limited to the area/era around the original eponymous stuff from around Prague, and I'm sure someone in Vladivostok had as much to say on the matter across much of the Soviet era, whether or not their ideas ever previously saw the light of day (or, possibly, themselves also. Ever again.)
[1] Indeed, I also think that the (separate) Battlefield Earth book was ill-adapted into film by the actual faithful promoters of the "Elron" legacy... Perhaps I just have a differently refined appreciation of "trash sci-fi", though.
[2] That which lacked the push had no corresponding pull? That which might have been happily pulled was never pushed?