"His name is Jack Liefeld and his passion is art, it has always been art, even though he does not remember the reason."I remember writing this, just a little jot. It just about sums him up, doesn't it? Wish I had thought of a better name, though...sadly, such one-dimensional characters don't deserve much effort in that regard.
...
You know Jack's a liar (a LIEfield), but I don't entirely blame him. He really has nothing else....and to be fair, he does have a reason to be afraid, doesn't he? Even now. He's got that peculiar itching in the back of his mind, usually some sort of paranoid rambling, but this time it's quite real. Like the rest of them, he knows he's got a week-five days-before 'something' (something bad for him, but quite good for me) happens. Now he wonder, who can he trust? Even the others-that pathetic little band he calls friends, even though he has perhaps not shared his secret with them...
For me, this is an endless sort of amusement. A man driven to protect the secret of his past, at all costs. And yet he cannot recall a whit of that past. Not yet! Like a man chained to a locked chest, filled with gold and gems he can never share, nor know of that wealth himself.
He can drown wondering what was inside.
....
Jack Liarfield has even worse problems at the moment, however. Mostly, it comes down to a small note written in a sharp, spiky hand of his manager, Lily-marked on the metal of a fridge door, with a lemon magnet. Seeing these words fills him with conflicting feelings, so many I won't bother listing them all.
You're drowning, Jack. And so am I. Ever since you woke me up, things have been alot worse between us...mostly that's on me. I think I was happier before.
You know what we have to do.
I know it was dangerous, but I have to try. For the both of us.
Please don't follow me. I'll try to get word to you, if I ever get back.
This charming suicide note needs a little bit of context. You see, Jack and friends were content to wait, watch and think. Lily Amberroyal (her full name is rarely used, though I think it's quite beautiful) is not the sort of person who sits around, however. When she found a lonely, pathetic little man she gave him some ultimately self destructive personal advice, rather than just minding her own business as she should have done-though, it was no doubt better than any alternative.
Lily had the basic idea of leaving the city by sea. Simply packing up, and sailing away. A simple plan, and one we both know won't work at all-see, Jack knows she's quite an accomplished sailor, usually out on the bat every other weekend but...things conspire to keep you in Farfield, or make sure you never come back. They had both considered and rejected the idea as too vulnerable. Even the most inept of guardians would note such an attempt to escape, and...fix them.
Like other people have been 'fixed'. Jack has good reason to be paranoid. Lily might just come back as something like a walking corpse, her mind flushed of all those annoying questions and worries that keep her up at night, along with those particular aspects of her personality Jack has come so to rely on. This has happened before. And yet, those same aspects her may admire are what compels this woman to do this in the first place...to try and save him. The famous painter, the recluse. She really does care, mores the pity.
So, now we sit and watch (flitting above the chamber door, though Jack's home has no bust of pallas, alas-and yes, that's an intentional reference), waiting to see if Jack will show his true color-piss yellow-or maybe dash, dash away heroically to save his lost Lenore before she gets on that boat (a boat named Left Hook, for reason you'll figure out later) and does something monumentally stupid.
All this, and nothing more.