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Author Topic: ___/The Writer's Apprenticeship\___  (Read 314218 times)

Devling

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Re: ___/The Writer's Apprenticeship\___
« Reply #615 on: July 21, 2013, 01:20:21 am »

This reminds me a little of Alice in Wonderland, and I like it a lot.
I would read a full story of Fox and Lily.
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Digital Hellhound

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Re: ___/The Writer's Apprenticeship\___
« Reply #616 on: July 21, 2013, 08:24:26 am »

It is indeed very lovely. Do continue if you can.
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Russia is simply taking an anti-Fascist stance against European Nazi products, they should be applauded. ¡No parmesan!

ThatOneGuy

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Re: ___/The Writer's Apprenticeship\___
« Reply #617 on: July 22, 2013, 03:49:16 am »

So, poetry...

Quote
The winter wind, so cold and dead
flowed its woes throughout the browned and grey thread
that wove together in a solemn  cloth,
oh what dreary, this land has caught.

Yet, o'er the horizon I spot
a flower, so yellow and red, like a beautiful ink blot
It rose and it liven the grounds where it lay
it brought happiness and youth back to the dreary clay

Oh, but all life, must come to an end
The flower, the woods, and even those who ascend
Death is part of life,
And the flower fell from all the strife
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Hmm...

sjm9876

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Re: ___/The Writer's Apprenticeship\___
« Reply #618 on: August 19, 2013, 05:23:51 am »

Very short story I wrote. Couldn't come up with a satisfying end though.
There was better paragraphing, but the tab-spaces didn't carry over.

Spoiler (click to show/hide)

On another note, one of my friends has convinced me to do nano this year. Any advice?
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My dreams are not unlike yours - they long for the safety, and break like a glass chandelier.
But there's laughter and oh there is love, just past the edge of our fears.
And there's chaos when push comes to shove, but it's music to my ears.

Sigtext

Digital Hellhound

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Re: ___/The Writer's Apprenticeship\___
« Reply #619 on: August 19, 2013, 10:27:56 am »

@NaNo: Don't worry about quality too much. If you get stuck, even momentarily, start the bit again from scratch/jump ahead. Time is of the essence, young man.
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Russia is simply taking an anti-Fascist stance against European Nazi products, they should be applauded. ¡No parmesan!

WillowLuman

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Re: ___/The Writer's Apprenticeship\___
« Reply #620 on: August 19, 2013, 12:28:23 pm »

SHIT! I want to do NaNoWriMo too, but November is when my midterms are! Will I still have time?
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Fishbreath

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Re: ___/The Writer's Apprenticeship\___
« Reply #621 on: August 19, 2013, 01:56:28 pm »

I guess the rest of us will find out in November. :P

For a number of reasons, I wasn't able to do it this year, but there's an official Camp NaNo in July for people who have more time to write in the summer.

sjm9876

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Re: ___/The Writer's Apprenticeship\___
« Reply #622 on: August 19, 2013, 02:14:48 pm »

For once I'm actually glad England has scrapped January modules. More writing time!
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My dreams are not unlike yours - they long for the safety, and break like a glass chandelier.
But there's laughter and oh there is love, just past the edge of our fears.
And there's chaos when push comes to shove, but it's music to my ears.

Sigtext

vagel7

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Re: ___/The Writer's Apprenticeship\___
« Reply #623 on: August 20, 2013, 03:05:26 pm »

http://pastebin.com/C31WE6Bp

"The Gravedigger", a little something I wrote just to pass the time. I wrote this mostly to see how well I can write pretty much about one guy doing one thing in short story form with little to no descriptions/world-building. It is quickly written and English isn't my first language but criticize away!

I'm really interested to hear your thoughts, good and bad.
« Last Edit: August 21, 2013, 02:07:30 am by vagel7 »
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God DAMN I love this game!

Skyrunner

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Re: ___/The Writer's Apprenticeship\___
« Reply #624 on: August 22, 2013, 10:03:05 am »

Here's a bunch of more translated poems.

Quote from: Na Taeju: Grassflower
I must look close
to see its beauty

I must look long
to see how lovely it is

Like you, too.

Quote from: Jung Hoseung: For The Whales
If a blue ocean has no whales
It's no ocean blue
If in the blue ocean of your mind
no whales live and grow
then you're no young one

People who don't know that
The blue ocean is blue for the whales
don't know what love is

Sometimes whales emerge above the horizon
and watch the stars
I, also, sometimes watch the stars
for my mind's whale

Quote from: Mun Junghwi: Winter Love
I wish to go to you like a snowflake
Without hesitation
Without wandering
Without any secrets
I wish to leap into your white life
and become warm winter
I wish to become a thousand year's snow

This poem is spoilered because it's both redundant and also surrealist, so it's pretty hard to tell what the point is.

Spoiler (click to show/hide)
Spoiler: supposed meaning (click to show/hide)
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Superblackcat

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Re: ___/The Writer's Apprenticeship\___
« Reply #625 on: September 13, 2013, 12:31:07 am »

Just dropping in a poem I wrote, hoping for criticism


Different, but similar.
Complicated, but simple.
Cursed.

The Priest, seeking a life, away from the cruciform.
His mentor, crucified by electricity,
Living through a life of endless pain,
Waking up to death, dying to life;
The curse of immortality.

The Colonel, love dripping with evil,
The betrayal through battles,
His savior, His worst enemy, the same person.
The double edged sword, the one he vows to break
The curse of love

The Poet, seeking the finish,
Reaper of the poem.
His pen flowing with the blood of the dead
Poems written by sacrifice.
The curse of knowledge.

The Father, seeking reversal.
His blood and flesh, sent back through time,
The sacrifice, the attention.
His journey, for his own.
The curse of youth.

The Detective, seeking for truth.
The world of the correct fault,
Where accidents are planned,
And Truth is destroyed.
The curse of curiosity.

The Consul, seeking for renewal,
The beauty of barbarians, A world stuck in place.
Humans destroying, Savages evolving.
The destruction, of rebirth.
The curse of justice.

A road of infinity,
To the blades of God.
Where time flows backwards, and the future is in the past.
The place where the price of one,
Is the death of all.


Just throwing that out there...
Based on "Hyperion" (the book)
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Eek-A-Mouse

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Re: ___/The Writer's Apprenticeship\___
« Reply #626 on: September 16, 2013, 11:43:58 pm »

Here's a short poem. Looking for criticism. This is a good thread--you guys were pretty helpful with my last post (about a year ago).

Leaning-back anthropomorph
I’m happy to take this time to unwind
And sip from Briarwood Amphora--

Pipe
Gug gurgle phwip
Puff phwup pffuff

L.b a
--The ambrosial curling milk from tooth-marked mouthpiece
That uplifts me on whirling grey-white nimbus.

Pipe
Pth pth pffrolickth
Gripth the glad fumes--

L.b a
Your wispy Cavendish winds enwrap my earthly
And supinate my thoughts to reflections
Of the everlasting black expanse.

Pipe
--And intake: my nicotine
bestows the dopamine you desire!
Sit with me and make ritual, succumb
this eve to relaxation's mandate
that lips and tongue grasp my cusp
and my vapor breaks into your lungs!

L.b a
Somnolent now, I return
amphora to drghm hick hmph
sptoo! chest pocket.

Ghrm ghrum hrmph and know
That if this eve my slumber everlasts
Or my within sprouts thicket of tumors

I shall have lived fearless of what kills
and experienced every sort of thrill.

Pipe
Thump-crack. You neither lack
judgment nor the dunce's cap.
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Draignean

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Re: ___/The Writer's Apprenticeship\___
« Reply #627 on: September 19, 2013, 08:16:37 pm »

This was for my Lit-Fic class. Have at it, going to try to edit and get it published this summer.

Spoiler (click to show/hide)

PS. I have no idea why about half of my tabs carried over and the other half disappeared.
« Last Edit: September 19, 2013, 08:18:08 pm by Draignean »
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Eek-A-Mouse

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Re: ___/The Writer's Apprenticeship\___
« Reply #628 on: October 08, 2013, 01:58:30 am »

Here's a quick story. Any feedback would be greatly appreciated.

     I live in a mechanized body. A teenage protégé, I built it to thwart my enemies. The words they flung at me glanced off the flesh-like tarpaulin exterior and I laughed as my creation’s face remained static.

     It does have limitations. Years have passed and I did not consider growth. My form has cracked as I fit into the machine like a geisha’s foot into her shoe. I sometimes must talk to others and for that I spin rusted wheels and tap dials that stick.

     Now I look at various people from behind the transition house’s desk: hairy, bruised, clean, athletic, stump-legged and in wheelchairs. I rotate the head ninety degrees east and there sits Nicole on the seat beside me. She has eyes pale blue like Neptune against caramel angular skin that concurrently shock and crystallize my squirming heart.

     She asks me why I read Joyce and the wry curve of her thin purple lips lifts a tone of irony that slips through the ear’s transistor radio and titters about my body. I know how this will end. I languidly tap on this and that key and pull a string to open its mouth. It outpours the drainage waste of my true intentions and sounds:

     “He’s complex and I can’t understand anything really”—a pause as I abandon the keys to adjust the eyes that through inattentiveness fell on her chest—“but the words are nice and it has good imagery.”

     “Ah. That does sound complex.” She smiles but averts her gaze to the residents.

     A pink fedora glides to the desk.

     “Mail?” The wheezy hat asks.

     I arch the machine upright and bend it over the cardboard mail folder. A return rotation and then I say “None today. I’ll mark your wake-up for four next morning. Sleep well.”

     Before I sit I watch the gray curly hairs wave on his waving liver-spotted arm as the pink hat atop the frail man on his wheelchair glides to the door.

     “Thank you, but I won’t be staying tonight.”

     Away from the shelter I find safety in my room. It is a white room with an olive air mattress in one corner and a plywood desk and notebooks in the other. One pad documents questions to use during conversation and the other details my experiments. Both are unreliable. The pre-thought questions only add to my robotic tone. The other lists chemicals, drugs, and alcohols that all have proved as useless as the phrases. 

     Here at least I can move without ensuring its movements won’t make others suspicious. When free I stumble and arch around this cubicle, but it grows claustrophobic. The space feels too close now. I’ll drop off my bags and leave.

     Alcohol was crossed off and deemed unhelpful long ago but I nevertheless now find myself on a wooden chair at a dim corner table with a few shots of amber scotch. As I sit and decant the liquid through fabricated throat and into my gaping mouth, I forget myself and fuse into the skin-embracing gears.

     Those eyes again. At the bar and talking to a pair of shiny teeth with smooth skin and a button-down folded neatly on tan arms. She glances at me and waves. I lackadaisically lift my palm and the half-full glass beside it slides across the table but stops at the edge.

     “I wouldn’t have expected to see you here” says she, now standing at the table and pulling me into the orbit of billowing blue Neptune.

     Does she know what she’s putting me through? I tap the cloudy shape-shifting keys and try to make it speak. “I sometimes”—and then—“come here.”

     “Oh, ok. My friends and I are at the counter if you want to join in.”

     There were faces at the counter that either smiled at her or laughed at me when she walked away. I finished my drink.

     I like the night. Especially hazy nights like tonight. Above is a full moon or a street lamp. The sidewalk is hard but my feet seem to bounce along. Despite the coat on the gears the cold still seems to turn my skin into gelatin. My organs are wobbling. A sip from the bottle eases things but the night grows dimmer. Black now. Did I miss something?

     Sensation. Sickly sensation, but I feel. It is bright outside. There is a giggling trickle of water nearby and I am laying on dirt and rocks. I turn to my left and see a wheelchair and plastic legs and then that gray face and pink fedora.

     He wheezes. “Last night as I was feeding the minnows you fell from the sky. Or rather, that ledge.” He nods upwards to the steep muddy edge held in place by trees and roots. “You swan-dived onto a rock—sprock! Ha! I thought you were dead, but instead your head smashed and chest ruptured in a metallic din and one body fell out of another.” He clears his throat. “The flashiest molting I’ve seen in my days and I’ve seen quite a few things.”

     I see myself. Crooked arms and toothpick legs and a few feet shy of that body I built. I can move, though. I arch my back and sit beside his plastic legs. “Thank you,” I say, and don’t use buttons.

     “No, thank you. I only watched you fall. If you look ahead there’s a path that takes you from the ravine.”

     I exit and sit naked on the warm sidewalk beside the trees that line the precipice. My keys and wallet were on the other body, but that’s fine. I think I’ll sit here for a while and bask in the sun.
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Urist McScoopbeard

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Re: ___/The Writer's Apprenticeship\___
« Reply #629 on: October 08, 2013, 05:02:42 pm »

I have to pitch an ad concept in English class for the Sneed from 'The Lorax.' So as part of that, I wrote a marketing poem!

It's quite unbelievable,
I tell you the truth.
Only $3.98,
this is no spoof!

It can be anything,
we call it The Sneed;
a sweater, a sock, or even a rock!
everything's there, even what's not.

I'm being sincere,
I wouldn't lie:
if you buy this from us
you'll be able to fly!

So in conclusion
I say:
You best buy this sneed;
it's never not what you really need!
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This conversation is getting disturbing fast, disturbingly erotic.
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