At least part of this is a straw man argument on both your parts. Y'all say I am projecting my own issues onto the story - I'm not. I said that the minotaur represents things that are concealed out of shame and guilt, because... the king conceals the minotaur in a labyrinth out of shame and guilt.
What I am doing is extrapolating the characteristics of the story to the largest scale. But it's the scale of the experience of reality, not the scientific model of reality. That is because dwarf fortress is interactive story-telling ( at least that's how I engage with it), and in story telling (books, films, games, etc) power comes from relating things to human experience. Great stories impact on many levels, the material level, the logical level, but without the human level you get a dry history book. A list of facts and no juice. Dwarf Fortress is already far from dry.
I love science. Science is one of the best things to happen to humanity ever. But science is young. It is a long, long way from properly modeling many, many things. The human brain, one of the most complicated structures known, is one of those things. The interaction between human brains in groups and societies is even more complex than that. Yet these are things that we have to deal with every single day. Science is a candle in the dark, as Sagan describes - it's a good way of shining light on something, but it does not inform you of all that you experience and deal with in life.
Consider the endeavor to understand the human brain. Do you think that a single human brain can understand the entirety of how a human brain works? This is like making a map of the earth that is exactly the same size and shape, containing every detail the original has and trying to put it in a library in switzerland. The brain may be knowable, but not by you or any individual human.
You tell me to be critical of my own thoughts - I am, and I have been. And now I am telling you - there are limits to what critical thinking can reveal to you, and beyond that is the absolutely vast unknown. Treating things unknown like they are either known or are not important is a pitfall of giving more credence to science than it can bear.
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With regards to the monomyth not applying to the minotaur story, or only touching on part of Theseus' story - it describes the act of going into the labyrinth to confront the minotaur pretty perfectly, in fact it is one of the main examples that Campbell uses in The Hero With A Thousand Faces. And that is the exact part of Theseus' story that we are concerned with, which Toady was enacting when he sparked this whole topic. So yeah, it's relevant. All the monomyth does is identify the anatomy of the story and then relate that to human experience.
I started this out correlating minotaurs to the parts of the self that are concealed out of shame and guilt. The shame and guilt are directly from the text, they were not added by me. Correlating the minotaur with a part of the self is a technique for getting to the part of the myth that anyone can relate to. Has every human alive felt shame and guilt? The probably have*, and that makes it universal. That is power.
*Okay, so we just lost all the newborns and psychopaths from the audience.