It is my opinion talking here-- but I believe I could make a serious movie about this subject, and make it actually good. (plot wise at least. Directing is a real skill, and not one I claim to have.)
Reproductive rights are a real thing, and the notion of "Gay people having BABIES!? EWWW!" is a very real thing. As such, I could very seriously see a genuine "chick-flick" drama that is actually dead-pan serious about what the dangers and travails of a gay male couple trying to get a cloned/tissue-engineered uterine transplant, for the purposes of having their own biological child, in a world that is not ready for either the implications nor the technology to exist, complete with stonewalling from insurance companies, political pundits not wanting to include such a procedure under state assisted medical care, friends and family being disturbed by the notion, and the general lack of public understanding behind such a thing--- Would actually be like. We could throw in some church do-gooders picketing the hospital that was willing to perform the procedure, and throw in some extremist bombings too.
I could see it being done and done right. The problem is that to do it right, you have to paint a grisly picture, because that is what is actually there. This would NOT be a comedy. It would be a serious drama, where this role is cast explicitly that way, to tell *THAT* story, and every attention to detail would be given to make that story as lifelike and believable as possible.
That is very much *NOT* what I was describing though, when I made my quip. More "Oh, it's so silly being pregnant today! Oh yeah, I'm a guy! Because!"
EG, the first is "This is a science fiction drama, that is as true to the current status quo as we can write. As best we can tell, this is what we could expect to happen." and leaves the "MESSAGE!" up to the audience (Do you REALLY want that future? If not, what parts did you find objectionable and why? Contemplate. We aren't here to moralize to you.) where the second is "Oh yeah, this is NORMAL NOW, and you are A HORRIBLE PERSON if you disagree for any reason! It does not matter that the plot is transparent, vaccuous, and horrible--- YOU MUST LIKE IT, OR YOU ARE HORRIBLE!"
The former does everything possible to tell a compelling story, in which the message is an essential component. The latter is tacking on a political statement to unrelated subject matter, and demanding the audience love it.
One makes for good cinema. The other does not.
EG--
"It has been 20+ years since the 1980s. If the ghost busters were real, and professional paranormal elimination was a thing in modern New York, how would a group of female entrepreneurs tackle a startup ghost elimination business?"
VS
"It's a remake of Ghost Busters-- BUT ALL THE CAST IS FEMALE! BECAUSE WE CAN!" (YOU MUST LOVE IT, OR YOU ARE A MISOGYNIST!)
The former would have had the potential to be a good movie. The second? It was doomed before it even was finished being written.