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[Scoops Novel]

He's the current writer of the series. Generally critisized for changing the tone of it too much towards action.

And terrible plot lines. How responsible is he for Sherlock? Because that was unabashedly good, in general at least, but doctor who recently has been terrible. My brother's telling me that they resolved the last episode by dividing by zero. I mean are the kids actually enjoying it?

[Tellemurius]

Wolfeyez just made sausage-biscuits-gravy-and-scrambled-eggs for lunch. It is truly the food of the heavens.

i hate you and your amazing delicious relationship


also, business attire thrown out the door at work! now i only have one day to walk around with black slacks

[penguinofhonor]

This article doesn't have too many specifics, but apparently a lot of the Dr. Who 50th anniversary Moffat drama is bullshit. It's not really relevant to the people who dislike Moffat in general, but I know a lot of people are shitting themselves over this episode specifically.

[SalmonGod]

Garage cat has awarded us the highest honor according to catiquette traditions:  a dead bird on our doorstep.  Just for us.

[Frumple]

An amazing display of its belief in your ineptitude.

A landmark occasion! Huzzah! It thinks you can't hunt.

You must prove it wrong. Go out, take down a deer with your teeth and hands, and then drop the carcass on the cat. Human superiority must be displayed, once again.This may or may not be a joke!

[da_nang]

An amazing display of its belief in your ineptitude.

A landmark occasion! Huzzah! It thinks you can't hunt.

You must prove it wrong. Go out, take down a deer with your teeth and hands, and then drop the carcass on the cat. Human superiority must be displayed, once again.This may or may not be a joke!

It's too late for him already. I'll make the funeral arrangements.

[SalmonGod]

I'm pretty sure she just wants us to let her in the house

[10ebbor10]

He's the current writer of the series. Generally critisized for changing the tone of it too much towards action.

And terrible plot lines. How responsible is he for Sherlock? Because that was unabashedly good, in general at least, but doctor who recently has been terrible. My brother's telling me that they resolved the last episode by dividing by zero. I mean are the kids actually enjoying it?

Last episode. You mean the themepark one? Because that wasn't solved by dividing by zero. In fact, I know of no recent episode solved by dividing by zero. Beside, the episode wasn't written by Moffat.

Spoiler: Actual spoilers. Of the entire episode. Don't open (click to show/hide)

The doctor and his friends got infected with cyberimplants. (Future cybermen who learned to adapt very, very fast)

It was solved by exploiting the cybermen's weakness for gold (Based on one of the very early series), challenging them for a game of chess, tricking them into releasing the children(en exchange for giving up his queen) , before tricking them in running what must be the least efficient chess computer ever. (Using the full processing resources 3 million cybermen to calculate all possible moves on a chessboard over a 3 turn period should not take a good minute). After that the doctor simply applied the anticyberimplant device(handheld taser against cybermen) against his implant, and they blew up the planet.   

[Vector]

Eh, I take a lot of issue with Sherlock.  The female characters are consistently underdeveloped and left in the position of "mute damsel in distress," Sherlock is an unremitting ass (why does John stay?  Are you trying to tell me that there are no better sources of danger available?), the plots don't make sense if you actually look at them close enough, and so on, and so forth.  It's like he thinks that if the episode is an hour and forty minutes long then you won't figure out that the characters' actions are nonsensical.

I liked Moriarty a lot, though, to be honest, and the production values are really slick.

[Scoops Novel]

He's the current writer of the series. Generally critisized for changing the tone of it too much towards action.

And terrible plot lines. How responsible is he for Sherlock? Because that was unabashedly good, in general at least, but doctor who recently has been terrible. My brother's telling me that they resolved the last episode by dividing by zero. I mean are the kids actually enjoying it?

Last episode. You mean the themepark one? Because that wasn't solved by dividing by zero. In fact, I know of no recent episode solved by dividing by zero. Beside, the episode wasn't written by Moffat.

Spoiler: Actual spoilers. Of the entire episode. Don't open (click to show/hide)

The doctor and his friends got infected with cyberimplants. (Future cybermen who learned to adapt very, very fast)

It was solved by exploiting the cybermen's weakness for gold (Based on one of the very early series), challenging them for a game of chess, tricking them into releasing the children(en exchange for giving up his queen) , before tricking them in running what must be the least efficient chess computer ever. (Using the full processing resources 3 million cybermen to calculate all possible moves on a chessboard over a 3 turn period should not take a good minute). After that the doctor simply applied the anticyberimplant device(handheld taser against cybermen) against his implant, and they blew up the planet.   

That last bit? That's exactly what i'm talking about. Not good conflict resolution.

[Dutchling]

Reading Dante's Inferno. It's actually
Readable . I thought it would be
Like the Silmarillion (aaargh) but it's not...
For some reason it's written like it's a poem,
Even though in the English translation it doesn't
Really look like one. I mean, the sentences
Are all of even length, but they don't end
At the end of a line>.>. Was kinda confusing
Until I realized that if there is no period at the
End I just have to keep reading even though
The next line starts with a capital. Yay.

[misko27]

Reading Dante's Inferno. It's actually
Readable . I thought it would be
Like the Silmarillion (aaargh) but it's not...
For some reason it's written like it's a poem,
Even though in the English translation it doesn't
Really look like one. I mean, the sentences
Are all of even length, but they don't end
At the end of a line>.>. Was kinda confusing
Until I realized that if there is no period at the
End I just have to keep reading even though
The next line starts with a capital. Yay.

That is because it IS a poem.

[alway]

Company is flying me out next week for on-site interview.

Though I did realize something sad along the way. When I get a full-time job, I won't be doing interviews anymore. I've been learning more from good programming interviews than my university courses this quarter. Everything from Ukkonen Suffix Trees to placement new, low-memory bi-directional RLE, virtual inheritance, and so on. All these things which I had previously been unaware of. Brutally difficult programming interviews are the best.

[Solifuge]

Reading Dante's Inferno. It's actually
Readable . I thought it would be
Like the Silmarillion (aaargh) but it's not...
For some reason it's written like it's a poem,
Even though in the English translation it doesn't
Really look like one. I mean, the sentences
Are all of even length, but they don't end
At the end of a line>.>. Was kinda confusing
Until I realized that if there is no period at the
End I just have to keep reading even though
The next line starts with a capital. Yay.

Actually, Dante wrote the original in rhyming meter; what you're probably encountering is a translator who was aiming for accuracy of translation, at the expense of the meter/rhyming scheme, but decided to half-arse it with line breaks. Seen the same thing with translations of the Kalevala; one translator aiming to capture the feel of the original language, while another tries to capture the words as they were written.

Here's a side-by-side excerpt from the Kalevala, to illustrate; Lemminkainen is trying to fish her dead son out of the River of Death with a magic rake:

Spoiler: Kalevala, Runo 15: John Martin Crawford's Lyric Translation (click to show/hide)

Lemminkainen's faithful mother
Takes the rake of magic metals,
Rakes the Tuoni river bottoms,
Rakes the cataract and whirlpool,
Rakes the swift and boiling current
Of the sacred stream of death-land,
In the Manala home and kingdom.
Searching for her long-lost hero,
Rakes a long time, finding nothing;
Now she wades the river deeper,
To her belt in mud and water,
Deeper, deeper, rakes the death-stream,
Rakes the river's deepest caverns,
Raking up and down the current,
Till at last she finds his tunic,
Heavy-hearted, finds his jacket;
Rakes again and rakes unceasing,
Finds the hero's shoes and stockings,
Sorely troubled, finds these relies;
Now she wades the river deeper,
Rakes the Manala shoals and shallows,
Rakes the deeps at every angle;
As she draws the rake the third time
From the Tuoni shores and waters,
In the rake she finds the body
Of her long-lost Lemminkainen,
In the metal teeth entangled,
In the rake with copper handle.

Thus the reckless Lemminkainen,
Thus the son of Kalevala,
Was recovered from the bottom
Of the Manala lake and river.
There were wanting many fragments,
Half the head, a hand, a fore-arm,
Many other smaller portions,
Life, above all else, was missing.
Then the mother, well reflecting,
Spake these words in bitter weeping:
"From these fragments, with my magic,
I will bring to life my hero."

Hearing this, the raven answered,
Spake these measures to the mother:
"There is not in these a hero,
Thou canst not revive these fragments;
Eels have fed upon his body,
On his eyes have fed the whiting;
Cast the dead upon the waters,
On the streams of Tuonela,
Let him there become a walrus,
Or a seal, or whale, or porpoise."

Spoiler: Kalevala, Runo 15: Anniina Jokinen's Literal Translation (click to show/hide)

Then the mother of Lemminkäinen took the iron rake;
Rakes for her son in the roaring rapids,
In the rushing stream. Rakes and does not find.

Thence she moves in deeper: wading into the waters,
Up to her garters in the stream, up to her waistband in water.

Rakes for her son the length of Death's river,
Dragging cross-current.  Dragged once, then again:
Gets the shirt of her boychild, a shirt to her heart's sorrow;
Dragged yet once more: got socks, met the hat,
Socks to her great grief, the hat to her annoyance.

Stepped even deeper from there, to the deeps of the Cursèd Lands.
Dragged once along the water, once more across the water,
A third diagonally.  And then on this, the third try,
A bale of wheat came against the iron rake.

A bale of wheat it was not: but it was the flighty Lemminkäinen,
The beauteous Farmind himself, caught in the tine of the rake
By his ring finger, by his left toe.
Arose the flighty Lemminkäinen, rose the son of Kaleva,
On the rake of copper to the top of the waters smooth;
Yet was a little lacking: one hand, half a head,
Many other members, most of all his life.

His dam at this fell wondering, thus she crying saith:
"Would this yet make a man, a male worked anew?"
A raven overheard it.  To that it replied:
"There is no man in the passed-away, nor barely in the remains:
His eyes have been eaten by whitefish, his shoulders split by the pike.
Leave the man to the waters, push him into the River of Death!
Mayhap he'll become a cod fish, or grow strengthened into a whale."

[Xantalos]

Re: The Dr. Who discussion:
I'm not watching it. Not least because I have no idea what's going on in any of the episodes, but also because the bastard keeps trying to kill me or imprison me or something. I've eaten him at least 25 times now and he keeps popping up again.
_{Bloody cockroach.}