"Hum."
Well, pick a set of Time.
When it comes your turn, you lose the coin toss and assemble your row, the professor wincing rather unsubtly as you go. As soon as you set down the last one, your unscrupulous opponent impatiently fires a shot--and it's a dead-on collision. Fire-vs-Time.
[-] Your chance to call it!
((Extra [+] tag is messing up the turn.))
"For a teacher you are not very forthcoming. Don't keep your secrets."
Tell me everything.
((Danke.))
"I see... Normally I present things in a linear fashion, because most students do not catch on as quick as you. But if you consider yourself up to the task..."Nabul explains the inner workings of the golem;
[-] a lot of the technical details are difficult to grasp, but you do catch the fact that its interior is actually molten. Not as magma, though, but as a slurry of water and marble filler. This construction allows the insides to shift as the behemoth moves, and allows the surface layer more room to flex. In simpler constructs, the fact that the whole thing is one block causes it to shatter often, and if the rock shatters the soul (and all the work put into it) is lost. Or rather, the unique part that made it a golem is lost, turning it back into ordinary rock.
The Giant Marble Golem's flexibility allows it to hold a soul for a long time. This makes it suitable for hosting an autonomous intelligence, usually based on canine genetics for their loyalty; but it is not uncommon to use the souls of cattle or horses in constructs not built for gardening. Constructs that are not Golems are instead controlled remotely: through the placement of a "receiving" charm entangled with a "transmitting" charm, a Kahigan can have its range effectively increased in order to transmit orders or physical locomotion from a distance. Basic constructs are, therefore, puppets.
The Giant Marble Golem seems to be covered in charms as well.
"Those are mostly failsafes and are replaced after every rain, when they get soggy and lose the special ink.""And that compromise is probably the best we'll get. It certainly works well enough for me, as it lets nobles study magic for the greater good, not just to give their family more power or prestige. "
"Perhaps you are mistaken, the nobility are effectively forbidden from magical study. No self-respecting family allows its bloodline to dabble in the arts, for they present a threat to the legitimacy of the family itself. Many a prince or princess would gladly take the public shame disownment brings, given that most never fall into the line of inheritance, let alone procure much other than prestige from their family name."He starts writing on the blackboard with a stick of chalk.
"The nobility has always been a troubled institution. In the past, much of the nobility followed the international gavelkind system, wherein every son and daughter in the line of inheritance would earn a share of the wealth and land upon succession. All of this changed as the Two Kingdoms fell, and nobles across the land felt less pressure to conform to foreign standards. Many adopted systems of primogeniture where the first son gained most of just about everything, and while this did much to safeguard family power and strip lesser princes of the means to protest, there is much resentment of the system."Damn it. Instead of getting up Raioyris folds his arms behind and stares up, The sky is so bleak.
Raioyris rests and watches crows.
You feel fainter and fainter, but you sit down, and leave the sword on the ground as it bubbles and contracts, working its way toward a plausible form. Right now it has a forward-curved blade and several spikes where the wrist-guard would be, but the hilt is just a metal tang, too thin to grasp. You continue to supply it with energy, but rest your other Kahigan.
Watching the crows makes the pain go away. You spot a familiar one roosting atop a buttress and give it a good stare, and it stares you back, apparently long enough for visual recognition to occur. The crow glides down and hops over to your feet, never mind the blazing sword and constant explosions occurring nearby. Just human things.
"How goes it?" asks the crow.