Hearing the old rhymes spoken aloud lit something up in Steffan's eyes. Eli might seem embarrassed by them - like an older child caught singing a nursery rhyme, perhaps - but it felt to Steffan like a connection to an older world: the same way that the knowledge the younger and more practical man used to survive the wilds was also a connection, to an older world and to people who'd come before.
Every people had their truths, Steffan reasoned, and it made sense that it was these truths that survived, got passed on, got remembered and turned into a primitive art to aid the remembering, the passing. That's what had fascinated him, that idea, that there was a truth, or even just - or even better - an explanation, that the modern world had left behind, or lost in the maelstrom of endless wars, religion, trade. He was still, really, a scientist - he preferred the term 'natural philosopher' - just as he'd been taught, but although he was still driven to find some kind of order in this modern way, he felt more strongly that there was an order already existing, already described, already lost and waiting to be found again. An order remembered in rhyme, in story and, yes, occasionally in what was now dismissed as nonsense, fit only for kids and savages, although he wasn't always terribly sure about this last point.
As Eli looked about for a trail, Steffan slipped out his notebook while he thought no one was paying much mind, and scribbled down the two rhymes in his own semi-illegible short-hand. He practiced saying them to himself, to see if he felt any discernible power through them.
He wasn't sure.