In the wilder parts of the southern coast of the Sea of Death...
Sigmund, tempted irresistibly by what a god of art and beauty could possibly do to harm him in this state, tries prayer - the last humorous resort of any situation, and the second-to-last resort generally, the last being good old acceptance of one's lot in life. And he'd hardly be a self-respecting bundle of pulped stolen vampire parts if he was about to accept his terrible lot in life, right?
~Oh, Narcillicus! My body has been squandered repetitively by entities performing some kinds of macabre experiments, or maybe some dark arts I can not comprehend. My body has lost its integrity. Please guide me to make it more appealing to the eye, more useful again!~ he thinks, hopeful for an answer!
"Bloghrfshlichtschlombt!" he bubbles and spurts, having no mouthparts to make mouth noises with!
"..." says Narcillicus, god of art, beauty and technology!
He's probably right busy at the moment, is all. Surely the Nicest God of All wouldn't ignore a wretch such as Sigmund, right? And if he would, surely that means Sigmund's situation is far less wretched than he thinks. This, cognitively speaking, is a win-win, he decides, and devotes it no more thought, though the idea that he could go for double or nothing crosses his seemingly pulp-based mind.
In the subterranean kingdom of infinite spiders...
Kevin, hoping for the best much like other beleaguered undead the world over, attempts to command his subjects.
"Uh, forward?"
In a spectacular coincidence, the spiders do seem to be experimenting with his movements, and currently appear to have had the same idea, and Kevin walks forward, not seeing a damn thing as he proceeds through the tunnel, the spiders forcing him to duck down to fit through.
It is when he fails to stop on command or do anything else that Kevin begins to realize what sort of predicament he may be in, the spiders, with the aid of what seem like forward scouts occasionally skittering out of his body, move him for quite a distance. As the paralysis starts to wear off, or at least things start to properly hurt again, the spiders seem to sense it, a certain hesitation in his movements, and bite him silly, poisoning the feeling right out.
The good news are, he seems to have crawled out into less spider-infested territories, and not back at the reservoir, either - the little things in his body appear to take a very serious approach to dangerous joyriding, and seem to have taken him to altogether unfamiliar places. Keeping his body balanced seems a bit difficult for them, as a side note, which mostly results in Kevin finding himself falling over more often than is strictly necessary.
However, eventually (that is to say, Kevin has no idea how long this might have taken) the fellow sees a ray of hope in the situation - in this case, an actual bright ray of light. It's actually quite dim, but it appears bright at the moment, and it takes him a while to even figure out what it is as he approaches. He feels a bit silly at first, but this is quickly replaced by a new feeling - a slight elation that this actually appears to be sunlight coming in from straight above, presumably through a very deep pit in the ground, rather than some cruel illusion or a magical lamp laid out to mislead him like that asshole guy that caused this whole mess did. He even forgets to be perplexed about how the spiders within him appear to have led him straight over to a staircase, and then straight up that same staircase without missing a beat. He even almost misses the part where the spiders move his arm to make him knock on a door, which immediately gets an answer.
"Do come in!" says a very smooth voice, and the spiders have Kevin's hand open the door and walk him right in, where a very strangely painted room awaits. It's kind of like a rather large hall, giving off a very distinct impression that it may have once been a tomb of some kind. Now, though, it's completely desecrated - the ceiling and the walls are painted sky blue with elaborate white clouds added, the floor is grass green and carpeted, while what may have formerly been sarcophagi have been broken open at the side, painted green, then had one of two things done to them - one, a mesh added and the resulting enclosure filled with rather hideous, not to mention hideously familiar spiders accompanied by bits of meat, or covered with glass and filled with water and rather spiky-looking fish. On the ceiling by a chain hangs a sphere, shining brightly down at a pit with a neat white railing protecting unwary passersby from an untimely death by falling into an abyss of endless darkness.
Near the pit sits a peculiar workstation, almost a cubicle, with a sizable chair, both made out of what look like entirely unnatural wood and cushioned with some unholy transformation of root hairs. In this chair sits a woman with long blond hair that may very well reach down to her hips, a small wreath of spring flowers on her head, wearing a very light summer dress. Her flesh is exceedingly wiry and slightly leathery, and one of her eyes is noticeably larger than the other, though both appear to have somewhat exotic yellow irises a few sizes too large for their eyeballs with triangular amphibian pupils darting around on them. She regards the arriving Kevin with a bit of curiosity.
"Ah, a spiderfriend. How do you do, spiderfriend?" she asks, and the spiders make Kevin do a motion of tipping the hat despite Kevin not having one. "Cute! Now, spiders! Leave the spiderfriend! Leave only a friend, yes?"
The spiders don't appear to understand, and she laughs at herself, guffawing a moment before squeaking at a highly unpleasant pitch and intensity mid-laugh. The spiders exit very nasty-looking bloody cavities on Kevin's body one by one, skittering out the door like little ducklings in a row. Kevin, his puppet strings cut, slowly and half-paralytically collapses in a pile, feeling very acutely that he's probably missing quite a few precious chunks of flesh right now, considering how many spiders just exited him.
"Friend!" she says, tilting her head at him as she steps out of the chair, . "Do you speak the language of civilized people, or have the gnomes been overly successful in their heinous breeding experiments? It's the second, right?"
In a kitchen of absolute doom...
Scott tries to recall who this is. The kitchen's a mess. There's horrible food somewhere in the corner, smelling like the dickens. It will probably murder whoever it tries to eat. The man in front of him is hairy, holding a very sharp cleaver and has probably been dead for at least a month, judging by the smell.
Clearly, it must be the man with the whip. Scott sees no likely alternative.
"Just so am a sure... Sir? Ma'am? Have you or have you not ever had a closeness to moving wood that is eldritch and blasphemous?"
The figure emits a fell and terrible laugh. "MANY TIMES," it then says cheekily, chopping a great big gash in the table in front of it with the cleaver as it remembers its glory days. Scott wonders whether to set the place on fire or not a few moments, but then a voice interrupts him.
"Right, fun's over," says Francine, and suddenly Scott is outside the tower, feeling like the entire world just blew away in front of his eyes like dust. He looks around, and notices the dog still there. And next to him is the person he was actually looking for - Morton! And also the tailor guy. Him too, yes.
On the precipice of the Mystery Forge...
Niklas believes that this may be the best thing that has happened to him lately, this whole Mystery Forge business.
"This is awesome," he readily communicates, his entire body tingling as he speaks, the sound itself issuing from somewhere deep within him.
"I tend to agree," says the blacksmith. For some reason, his voice doesn't feel quite as impressive to Niklas anymore. It's probably because of all these darn nutrients in the air, he thinks. They seem fairly tasty and distracting.
With but a minimal effort of will, Niklas feels his body surface vastly expand, though visibly he seems to remain the same - he feels the air around him, as if some kind of aura had just emanated from him, taking in the scarce organic traces and relatively scant moisture, filling himself with it. He has to say, it does feel pretty tasty, although a little tiring to do it for longer than 10 seconds or so, since he feels rather stretched as he tries to project the aura.
In the chamber of the Crown of Flowers...
Darren, probably having failed in buttering this guy up, tries provocation instead.
"So what exactly did the big guy try to do that got you so mad? Because this is some serious rage against the heavens stuff."
"Oh, you know," says the ghost, oddly calm. "Standard genie stuff. It's quite terrible that the god of magic is also the god of death, since one's the cure for the other. Especially when you ask him for a quest to grant your people immortality so that they may bring a golden age to the entire world. Predictable result in hindsight, but I was a bit of an idiot back then."
He immediately notices the rather curious event of two pieces of junk desperately banging against one another to make a vaguely leglike shape a few meters away.
"You wouldn't be trying anything, would you?" the ghost asks, giving Darren a skeptical eye. "That would be very unwise of you, doing the bidding of the god of death like that. Don't you know that it never pays off?"
In the Black Tower of Eckledun...
Morton, after committing the picture to memory as well as making sure that Suzanne's finger has indeed left a rather distinct point on the map, figures that this source of information may have run dry.
"Gracious thanks, both for your time again and for the parting advice, good mage Suzanne. We'll head there and hopefully see what we can do. But first, we should check in on our compatriots. I wish you good fortune in the time to come," he says, looking at Tailor Craig, who appears to have been spacing out these past few minutes. Upon being interrupted, he too bids a farewell and the two move out, Suzanne pointing them to a convenient door. Knocking on it, the two are immediately transported to the outside of the tower.
~Hey, Morton,~ a voice in his head says in a friendly manner. ~This is Francine. I'll return Scott in a moment.~
On cue, Scott appears a scant few steps from the two, looking as confused as an ectoplasmic blob can be.