In Helsvar's village...
Niklas, disappointed with his transformation, tries to find food, realizing that he could probably eat a horse right now, his pint-sized body be damned. He scurries down the dirt paths of the village, looking for some sustenance for a poor, downtrodden squirrel. He darts from shadow to shadow, making sure to avoid any hungry-looking children, and finally comes to a tree.
It's an oak, taller than any of the puny structures in the village, stretching upward and sideways. To Niklas, it looks more massive than anything he's ever seen before. There's also another thing about it, though. It has more acorns on it than he could ever dream to eat in a single season.
"You're going to live in the Great Old One, dad? That would be awesome!"
On the deck of the Second Shank...
Sigmund asks a quick follow-up question to Justine.
"So, it is basically concentration?"
"Yeah, but deadlier if you screw up. Generally, the less powerful the magic you want to get - small spells, tiny alterations, very little information obtained - the less hurt you are when you screw it all to hell and back."
Sigmund, brimming with this new information, runs off to find vendor trash, namely a piece of paper and a writing implement. Luckily, the den has both in quite ample supply - sheets of paper and sticks of graphite encased in wood, that is. Wonder why.
While he does that, Scott urgently slides down the mast, approaching the Artiste.
"There are people watching us, filthy belligerents, no doubt. Be on your guard."
"Oh, they probably have a good reason to be watching us."
"Like the fact that you're a hideous monster who will destroy all that is well and good in the world?"
"Like that, yes."
Scott has no time for this banter, so he rushes off to find the Captain - well, shambles off, at any rate. The Captain's nowhere to be seen, though.
Maybe they've already got him? Oh dear.
In a calm suburb of the engineers' quarter of the City of the Dead...
Darren, knowing that there's no fun to be had if you avoid horrible danger, floats toward the house, phasing through the door and finding himself in what looks like a fountain room. That is to say that it's a large room with fountains.
Suddenly, one of the fountains begins to shift, splitting slowly into three parts, yet not spilling a drop of water in the process. It reconfigures itself, leaving behind a large hole in the floor. Before Darren can react to this process, a pair of hands comes out of it again. This time, they look a little different. The fingers are longer, and each of the hands has an extra thumb, bringing the total up to three for each hand. The eyes on one hand focus on Darren, each reminding him of some close-up drawings of insects he recalls seeing once in a naturalist's collection, and a feminine voice speaks to him.
"Oh! Hello! I am sorry, but are you a guest, or do you have business here?"
Beneath Wallyn's shop...
Morton is quite somber now as he speaks to Wallyn.
"I don't believe I am, I surely hope not. But how many other beings made of chairs are there in this city? I fear it's most likely him... And that doesn't bode well for the other two; I'm afraid to say. I worked with him for a good while under the employ of a kind master, it wouldn't well to not at least send my regards at his place of passing. I'm afraid I don't believe I have any other question, nor money to buy anything, so I'll leave before wasting any more of your time. I wish you well, and hopefully if we meet again it will be a happier time."
"Oh, time is never wasted if you spend it to meet new people. Good seeing you two! Don't be strangers, now, and remember - you need magic, you come here, and I'll set you right up!"
Morton, after taking a short bow (though he can only manage about half of one with a frame as rigid as what he's got), exits back into the alley, and Art follows him over to the location described by Wallyn, remembering to turn left at the vaguely phallic statue and follow the smoke - there is quite a bit of that in the air.
When they get there, they see an interesting scene. The street is empty, as are the nearby houses, and there is a sort of scar, about six meters in diameter, smack-dab in the middle of the cobbled path. It radiates unbelievable amounts of heat, and looks really hazardous, to be honest. There's a white-hot bit of metal lying in the middle of it is presumably what Wallyn was talking about.
There's pretty much no way to tell if it's actually Niklas, though.
"That's definitely a dramatic way to dispose of someone," Art notes.