On the top floor of the Artiste's home...
Niklas keeps up the absolutely magical interview.
"So how would I make a focus?"
The golden-robed man shrugs.
"Willpower and mental focus, same as you do magic. It's really more like opening a connection with the object with your mind, kind of like... well, it's a bit difficult to explain. But if you just try to impose your will on an object, it's unlikely to do you much good. So most people that create foci use chants, mantras, do specific rituals - these are more... psychologically significant than anything. Chants are, like, these specific word combinations that you repeat a few times and then they wire your brain a certain way for a while. Helpful to gear yourself for mental tasks, you know. There are learning chants, focus chants, war chants, all kinds of chants. There's books full of 'em, and they've got instructions on rituals as well. Some mages don't have the patience for that, though."
"So what do they do?"
"Drugs. Great, heaping mountains of drugs. Not the relatively safe sort, either. This may be the reason why many of them are crazy. Chants only got popular about a century ago."
About 8 feet away, Sigmund is having a similar, if a bit less drug-related conversation.
"Interesting. What kind of magic do you do? It wasn't of the soul enslaving kind that necromancers do, right?"
"Oh, no. I do what the University of Magic calls metamorphosis, but less silly people call transmutation. It's essentially shaping and transmutation of matter. I can turn lead into gold, turn people into apes and vice versa, and even make happy smiling faces on bricks that feel endless happiness with the primitive sorta-brains they have. Pretty nice, all in all. And no souls are harmed in the process!"
"So, there are different kinds of magic. I would like to become a mage, if I get the chance to do so. What kind of magic would you recommend? I want something that has many uses, something flexible. In its figurative meaning, of course."
"Well, any discipline of magic is flexible - ya simply gotta know how to use it. A little imagination goes a long way. The most flexible discipline of magic is probably illusion - ya can literally make anything and do anything with it if ya have sufficient skill, but none of it's real. There's transmutation, which is pretty sweet. Energy manipulation, if you know how to use it. Life magic can help ya do all sorts of things with anything even vaguely living or fleshy. Divination can let you know anything you need, and knowledge is power. I can keep listing, but really it's about what you want to do and how imaginative you can be with it. And then there's less traditional or more specific disciplines, like wind magic, darkness magic, light magic, hammer magic. Those are less flexible, but it's easier to get object foci for 'em, which increases versatility."
As the unsuspecting mortals converse, Kevin observes. His body is like a coiled spring waiting for release. His mind is sharp and wit-filled. His entire being is like a long tube with explosives at one end, ready to explode and propel its payload over the ignorant populace.
Today, that tube is loaded with hilarity. Or maybe not. The question is, do these people feel lucky enough to guess which it is?
At the temple of Narcillicus...
Seeing that silent prostration isn't working, Scott repeats his request once more with feeling.
"Allow ME to MOLD MY BODY and the PESTILENCE THEREIN into a MAGICAL FOCUS and you'll have ANYTHING you can desire from me and the land about!"
Hopefully the emphasis will do it. After repeating this sentence for a few minutes, Scott hears the breezes stop once again. A male voice suddenly appears in Scott's head.
~Oh, hey, sorry about the wait. Busy day. So, what is it you want? Magical focus body, right? Well, sorry, can't help you with that, really. Ungodlike to go granting easy favors. Not to mention that pestilence isn't really our thing. Inspiration and beauty are the words of the day, you know. Sorry again. Anything else you'd settle for?~
Well, at least Narcillicus is a bit friendlier than Rysinia.
Outside the home of the Artiste...
Mark, hoping to rid himself of this damnable condition, momentarily becomes an offensive noisemaker, trying to attract the Artiste's attention.
However, this isn't entirely necessary, as the Artiste seems to have already noticed him a few moments ago.
"There you are, Mark! I was wondering how you'd escaped your confinement."
He looks carefully at the skeleton-tree.
"Say, something's different about you."