I've changed the examples under the "editing" action to better encapsulate what you guys are using it for. Additionally, removing specific content from a song can be done without being dedicated to the editing action.
I also made some tweaks to how I generate the leaderboard, and it ended up slightly affecting the popularity of songs. I've retroactively applied those changes to the previous two leaderboards.
First, attempt to find a cool looking picture of a shooting star form NASA's website. Resize it to fit in a thumbnail. Then add a flame decal around the outside tinted blue with a glow effect. Put a little more glow around the shooting star as well. Finally, attempt to publish the song with the title "Stars Falling".
You search up NASA's online gallery and take a look through their photos.
[1] After a bit of searching, you find a picture that'll fit. The flame decal goes well enough, and the glow isn't too hard to add (although getting the right tint against the black background is a bit of trouble). After you clean up the edges, you cut to to the right size and save it to your hard-drive.
You upload the song to the LoFi Leaderboards and add the thumbnail. With the name picked out, you submit it for the world to see. Glancing over your finished product, however, you are shocked to see that the thumbnail isn't loading. A broken picture? You can't believe your eyes - and after all that hard work, too! You'd go back and correct it, but re-submitting songs isn't allowed, and you don't know what caused it, anyway. You do, however, check to see if the audio is intact, and it thankfully is. With a song that sounds
that good, you tell yourself, there isn't anything to worry about.
I realise that artistic truth and beauty is found in the most mundane of things, so start scribbling notes about my problems at work today involving trying to properly align text boxes on a newsletter that for some reason I have to do on MS Publisher, and the awkwardness of colleague chats across the desolate wastes of the urinals. They make me feel empty, dude. I mumble these words along to a catchy tune I hastily put to a beat for the verses:
https://goo.gl/NBkf44
For the chorus, I go a bit more obvious, and blend into a heavily fuzzed chord on my acoustic guitar that I capture using my freeze pedal, playing just that chord (no drums), at near-amp breaking power, for a dozen or few seconds, before blending that out and bringing back the beat accompanied by a vicious 1 note slightly flat guitar solo (the one note being G flat) - with the chorus lyrics explaining that I'm not ready to die.
During the editing phase, edit in the ambient hum of an unused communal kitchen throughout.
You take out your pen and paper, and let the frustration flow through you.
[3] Writing songs makes for one heck of a creative outlet. You come up with an especially inspired verse about the urinals: "Between them, it's a wasteland; / The sticky floor, like quicksand. / Why won't anybody aim? / Instead they stand and chatter / and try to make it matter / but it's awkward all the same." Maybe the ending needs a little work, but that'll have to wait - you've come upon a greater problem. The lines are definitely
inspired, but they wouldn't make any sense to someone else who was listening - and not in a cool, mysterious kind of way, either. You're considering scrapping the whole thing, when your eyes catch on an unfinished couplet, abandoned in the corner of a page. "I work to pay my dues and (pay?) my cost / my (*something* work?) a shell - its meaning, lost." That's it! The feeling you've been getting at the whole time. It still needs to be finished, but you're too burned out to do it now... and that chorus you were going to...
To take your mind of of it, you move on to the guitar and drums. You already have a bopping beat in mind, but now it's time to put it into practice.
[6] The chords couldn't be fuzzier and that solo couldn't be any more vicious. You got so close to breaking the amp that any normal person would have panicked - but you kept cool as ice. You've pushed your equipment to the edge before. Still, there's one thought that clouds the back of your mind: that guitar solo is as fast as it is vicious, and any chorus that accompanies it will have to be quick and snappy, or it just won't fit.
You decide to round this out with some ambient noise. Maybe someone's playing this song from a radio, sitting at the edge of window, facing a communal kitchen...
[6] The sounds of clinking plates and silverware are easy enough to add, as are the occasional scrapes of a chair against the floor or the sound of the table being pulled between the rival siblings. What the two say between them, however, is a bit more work, and the chatter of the husband as he talks about his model airplanes is a nightmare to research. When you have to find sound-bytes for an argument between Mary and Rosanne, you're almost ready to call it quits, but you power through. By the time you're done, you feel fit to collapse, but it's done - your grand narrative is finished! Wait, wasn't this supposed to be the background noise to some kind of song? Maybe you can make some room between the first course and the third if you leave out grandma's toast, but you'll have to remove a lot more than that to set it to any kind of music at all.
I'll scrap the space sounds and use samples of sadder music that fit the lyrics. Then I'll edit the song to make it sound like an old record.
Also, I'll use the random generator to come up with words for my next song.
You leave the original composition on the cutting room floor and look around for some more fitting music.
[6] You decide to go down the leaderboard, looking for something that will work. You discover it almost as soon as you've begun: Melancholy Planets. The poignant melody of the yamatogoto fits the tone and rhythm of your lyrics beat for beat. You hardly need to change a thing... you hardly
can change a thing. If you give A.Thompson credit in the description, you might dodge the backlash, but it's a risk.
Perhaps a record filter could make your version audibly distinct.
[6] You overlay your lyrics on top of the music and apply the filter. After a little tweaking, the results aren’t too shabby, but it’d still be obvious to any distinguished LoFi listener who’s song this really is. Experimentally, you add a couple hops and skips to the track. When that seems to improve things, you throw in chorus by looping the catchier parts of the song. By the time you're finished, it’s just different enough to be original, but still clear enough to appear to be a homage to A.Thompson’s work. However, your solution has created an unexpected problem: All the skips and repeats you’ve added to the song have cut out half of your verses, and the ambient sounds of the record player often overpower the sound of the yamatogoto.
You find the random generator you've bookmarked before and begin writing a new set of lyrics.
[1] "verdant, prickly, aloof, consign, birth, alarm, hobbies, inflame, sincere, bizarre..." You stare at the words on the monitor as they continuously flicker by. You reload the page again and again, but to no avail: there is no inspiration for you here. If you want to come up with lyrics, you'll have to do it another way.
RANK | TITLE | LENGTH | USER | FAME |
01 | sunrise through your window | 4:08 | JameS | 6111 |
02 | Homeworld | 4:02 | t4rdigr4de | 3628 |
03 | Cabin for the winter | 3:29 | a.part.ment | 1290 |
04 | all natural feeling | 2:49 | philli | 1072 |
05 | tokyo_living | 3:55 | THOMMY | 0908 |
06 | Melancholy Planets | 3:32 | A.Thompson | 0797 |
07 | here forever | 3:58 | a.part.ment | 0448 |
08 | cold stars | 2:47 | MannyH | 0350 |
09 | Mono no aware | 2:37 | SwingSing | 0343 |
10 | Rising Moon | 3:18 | <japanese> | 0320 |
11 | Bedroom on the moon | 1:50 | Mincemeat | 0290 |
12 | b o n s a i | 3:23 | artist.exe | 0287 |
13 | Radio Taiso | 2:24 | guest2351 | 0246 |
14 | Lemonade Stand | 2:43 | ALostSoul22 | 0207 |
15 | one room mansion | 3:11 | @rophy | 0173 |
~~ | ~~ | ~~ | ~~ | ~~ |
23 | Stars Falling | 2:05 | High tyrol | 0088 |