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Your connection to the mundane world of humanity...

Romance (recriprocated)
- 6 (22.2%)
Romance (hidden)
- 8 (29.6%)
Family
- 4 (14.8%)
Close Friend
- 9 (33.3%)

Total Members Voted: 18


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Author Topic: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1  (Read 3239 times)

Armok

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #45 on: August 08, 2013, 04:27:51 pm »

> Get access to the computer
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So says Armok, God of blood.
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III...

wolfchild

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #46 on: August 08, 2013, 04:29:00 pm »

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You really can both sig it.
But... That would break the laws of sigging! We can't have everyone running around with the same quotes. IT MAKES THEM UNFUNNY FASTER!

GlyphGryph

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #47 on: August 09, 2013, 11:00:55 am »

Act 1, Scene 2 - Side Effects
For a moment, you panic. Your tiny heart races, and you can think of nothing more than tearing the device from your head - but you quickly quell those thoughts. You are not going to panic - you are a SCIENTIST. Scientist's don't freak out - they experiment, figure out what's going on, and then come up with solutions! Preferably solutions that involve needlessly complex devices that pose a threat to both themselves and the public at large.

So, you experiment. You try to speak - nothing comes out but some unintelligible squeaking. Still, after a bit of effort, you do get the hang of it, and can change the pitch a bit - you're pretty certain that if you attempted to speak to anyone like this, they'd be unable to stop laughing, but with dedicated effort communication could be possible.

Next, you move around a bit. The muscles, as mentioned before, are all wrong - you keep trying to move things that just don't work the way you expect. It's disorienting, but you've had enough experience with immersive VR systems that it doesn't take terribly long to adapt. It's a bit like playing a video game, except with constant phantom bits poking out. At least Arthur is a girl rat, otherwise it could have been even more awkward. You shudder for a moment.

Still, content with rough control of your new and current body and with a decent understanding of it's limitations, you decide that priority one is probably regaining control of your old, significantly superior body. It may be pretty crappy compared to a variety of potential replacements, but a rat is definitely not a step up. Luckily, you haven't bothered to close Arthur's environment in ages - letting him roam around early on helped the system adapt to him, and he no longer had the desire once he started adapting to the system. So you head off, climb up the mesh, and poke your head over the top. There's your body, reclined next to the machine, and beside it the computer that allows you to enter various commands. You quickly calculate a way to get over to the both of them, and then execute it - hopping down, climbing up some wires, having a close call where you nearly fall off the edge of a bench to the floor below you because woah that tail is actually pretty heavy and you keep forgetting to keep track of it, and then finally you've arrived - you hop down onto your own shoulder (which, it must be said, is an incredibly odd experience) and then look yourself in the face. You appear to be a slight but steadily darkening shade of blue.

Hmm. That doesn't seem good.

(to be continued in edits!)
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Armok

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #48 on: August 09, 2013, 07:06:42 pm »

> Well, the rat body does seem sufficient to keep you sane, and that's all you really still needed a body for right? The only thing this really changes is you need to keep people away from your lab and from noticing you're gone, and that the keyboard is more awkward to use. The later one should just mean you need to get working on the adapting bit a bit early and enable the direct mind control of basic input devices, and the former should be fixable with a few email lies about having suddenly travelled somewhere far away and left an experiment running that must not be disturbed. Might even go so far as to ask someone you know to lock your door for you and feed your body and put up a sign to keep nosy people away.
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So says Armok, God of blood.
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III...

GlyphGryph

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #49 on: August 11, 2013, 11:41:42 am »

You check for breathing, and hear none. You check your pulse, as well as you can in this body, and detect none.

You are pretty sure you've died, and from the looks of it have been dead long enough for your brain to have become damaged. You're not entirely sure how safe it would be to attempt to return to your body at this point - but you decide it's not a risk you're willing to take. After all, the whole point of this experiment was to leave that body behind, right? Well, you've succeeded - no reason to take pointless risks this close to victory. The body you're using for the moment is keeping you sane, you think, and that means that soon enough you won't need it at all.

You hop over to check the computer, which involves a lot of uncomfortable craning of your neck and reaching to press buttons. It's slow and frustrating, but you confirm that aside from the fact that your body appears to have died, everything seems to be in order. Well, maybe not perfectly in order - every now and then your vision begins to swim and get a bit fuzzy, you keep getting these phantom sensations as your "brain" tries to send signals to and receive feedback from nerve clusters that don't exist, and you realize you're actually starving - you suspect Arthur may have been neglecting to eat much towards the end there, not surprisingly. The body is actually fairly emaciated, and as the adrenaline surge initiated by this experience has worn off, you've grown weaker and it has become more painful to do anything. You don't think an accelerated digitization process is an option - it took weeks  to disentangle a rat's mind from it's body, and you were planning on giving yourself more time than that already; the fact that your body is fairly alien already will probably serve to slow it down even more.

As you work your way back to Arthur's living area, and the somewhat stale food located within, your mind finally takes some time to consider the complications that might result from this. You begin to worry. You were sure - no, you are sure - this is what you wanted, but you'd thought the change was something that could go unnoticed. You aren't entirely sure you'll be able to explain this to...

What is your connection to the world of mundane humanity?
(poll)

Also, suggestions on what form this connection should take are allowed.
« Last Edit: August 11, 2013, 02:39:26 pm by GlyphGryph »
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GlyphGryph

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #50 on: August 12, 2013, 09:29:56 am »

come on folks this is one choice where it has to be one or the other - otherwise I'm gonna choose randomly
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Nicholas1024

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #51 on: August 12, 2013, 11:43:39 am »

*votes blindly*

*ties up votes*

Um...
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Armok

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #52 on: August 12, 2013, 10:41:07 pm »

Hmm, what about purely one-way communication? The comuter looking at the brain and extracting information, but withote inputing or chaning anything, should be able to do anything, but you may still be able to access a way to input text quickly that way.
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So says Armok, God of blood.
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Sszsszssaaayysss...
III...

Toaster

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Re: Woman of SCIENCE! Transcendentia Dementia - Chapter 1, Act 1, Scene 1
« Reply #53 on: August 13, 2013, 07:05:59 am »

*votes blindly*

*ties up votes*

Um...

Oh hey, I did it too.  Booya!
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HMR stands for Hazardous Materials Requisition, not Horrible Massive Ruination, though I can understand how one could get confused.
God help us if we have to agree on pizza toppings at some point. There will be no survivors.
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